Life
Why is it that the several that gain their very prominence,
and sometimes a very decent living to boot, from setting stridently lofty
standards for others, nurse a subconscious wish to be hoisted on their own
petard?
The psychologists and ‘shrinks’ have their hypotheses of
course, but the question is still worth asking. Could it be the secret urge to
be brought down? Is there a desire to be ‘bad’ combined with a masochistic need
to be humbled? Is it hubris, low-self esteem, a ‘fix-it’ manipulative mindset,
moral bankruptcy, the corruption of power, the feeling of being ‘above the law’
or a
delusion of invincibility?
Is it the flirtation with danger and disrepute that
provides the frisson to a jaded sexual appetite? We have seen this happen, to
the headline writer’s delight, time and again. The fire and brimstone preacher
caught with his pants down, the craven evangelist, the flawed idealist, the ‘incorruptible’,
an otherwise charismatic politician who posts
pictures of his ‘family jewels’ via mms, gay rock stars roughed up by ‘yobs’ in
public toilets, film heroes caught being serviced in cars, lurid politicians in bunga-bunga mode, wannabe
ingénues snuffed out like candles.
It is an unsavoury potpourri,
but more funny than tragic when one looks at the disgraced perpetrators. But
then, there is the very real suffering and trauma of the victims, especially
when it ends, as it does so frequently, in gruesome murder.
But,
here Tehelka, long in the public’s
face for its intrusive style of journalism, its ‘stings’
involving
secret cameras, its flowery prose, has come a cropper. The hidden cameras have long
been
seen by many as unfair if not illegal ‘entrapment’. In addition, Tehelka’s Left-leaning
tone,
largely
seen as pro-Congress, positions it, somewhat superciliously, as morally
superior. But now,
as the
cliché would have it, its Editor is himself in the dock for a spot of moral
turpitude.
Tehelka, originally
set-up as a website erected on a shoe-string, but with moneyed supporters in
the shadows, came to the nation’s notice by mounting a damaging, if ultimately
hollow attack, on the Atal Bihari Vajpayee Government, using its trademark
low-blows and aggressively intrusive means.
Then, Tehelka’s management thought nothing of attempting to
trash several reputations including those of then Defence Minister George
Fernandes, that of his companion Jaya Jaitley, several military personnel and
others. Subsequently, Tehelka milked the notoriety for years, collecting donations and subscriptions, portraying
itself as a victim of the BJP Government’s harassment, and evading all
questions on its less than ethical and credible methods, that allegedly
included ‘staged’ footage and outright ‘plants’.
Could it be that the fallen from such manufactured grace
can’t endure their pedestals? Is it a burden to be taken so seriously for one’s
mere sleight of hand? The inveterate finger- pointer Tarun Tejpal, is only the latest
fly caught in the honey-pot. He has been a man of many parts. A journalist with
India Today and Outlook, then an Editor/Writer/Impresario/BJP baiter/Congress camp
follower.
Tejpal was about, apparently
indulging his James Bond fantasy in a Goa hotel lift, with, as it turns out, an
unwilling young whistleblowing woman. He acted promptly to try and diffuse his ‘lapse
of judgement’, but his reputation, always a little ‘sharp’, may have sprouted a
new layer of question marks. The rest of Civil Society, The Goa Government,
quite a few of his employees, and much of the Media, are apparently not for
turning. The Congress Party is, predictably, keeping quiet.
In a fractious poll-season, when the dirty tricks
department of the beleaguered Congress Party is in full spate looking for straws
in the wind, a self-goal like this from a loyal supporter is not helpful. Today,
the largely pro-government media, mindful of the nature of the flow of sarkari advertisements it lives on, is still
having to grudgingly admit that the BJP’s prime ministerial candidate is
gaining ground with the people across the country. The broad media does this
now, but is still very eager to find and report anything to the contrary. Even
if it is trivia on fumbling of dates and
facts used rhetorically by NaMo on the stump! But fortunately the reams of bizarre Rahulisms
outdo NaMos bloopers anytime.
The ground below our feet is shifting relentlessly towards
the new India that NaMo wishes to usher in. We can all feel it. It is a change
that will break through many certainties and assumptions of a ruling elite
grown rigid and arthritic.
The economy of India, gasping for relief is waiting for
this development and marking time as best as it can.
Perhaps this sort of incident involving Tejpal is why people
love sad songs. They reminds us of relentless, inexorable change, all that we
have loved and lost, our betrayals and humiliations, the fading of youth,
innocence, and sometimes, that ‘momentary lapse’ of what we call good sense.
In Portugal, sad songs have a traditional genre called the
‘Fado’, filled with longing and the sense of loss. It exists in the Manohar
Parrikar ruled Goa too, but alas as an endangered species, in these days of
homogenised global trends and a hungry tourist economy.
The dowager Lady Grantham, in the popular fictional TV
series Downton Abbey, about turn of
the century British aristocracy, makes a robust remark that might be part of
the answer: she says in Season 4, episode 8, ‘No life appears rewarding if you
think too much about it’.
And any fall from grace by definition is innately painful,
and no less if it results in exile. The Congress Party and its hangers on must
be looking at its philosophies and missteps in private, even as it packs its
bags and prepares to relinquish its hold on power.
(952
words)
November
21st, 2013
Gautam
Mukherjee
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